I have inherited
books from my late father and my late uncle, and now have two copies of several
volumes written by or about the family. Particularly well represented on my
shelves is their only aunt, Emma Gurney Salter. They both adored her, my father
particularly. Emma, who never married, was very fond of her nephews too,
although that didn’t stop her warning my mother just before her wedding that my
father might not be suited to marriage. (They divorced six years later.)
Emma Gurney Salter (1875-1967) in 1912 on the occasion
of the publication of Nature in Italian Art (from the Illustrated London News)
She was an
archetypically bookish maiden aunt, a scholar in the field of Italian
ecclesiastical history. She was an authority on St Francis of Assisi, and in
her publications she often blended medieval history and art – I have
editions of at least eight of her works including two copies of Tudor England Through Venetian Eyes and
three of Nature in Italian Art. The
subtitle of Nature is “a study of
landscape backgrounds from Giotto to Tintoretto” and it is a comprehensive
survey of landscape, flora and fauna depicted by artists from all the Italian schools of art
from 1250 to 1590.
My father’s copy
of Nature was his father’s, signed
“to F.G.S. with love from the author, April 1912,” a gift from sister to
brother soon after its publication that year. Uncle John’s copy, “to John
Gurney Salter from his aunt,” has a letter to him from her tucked inside the
cover, in which she writes
I
daresay you know it was accepted by Trin. Coll. Dublin as a thesis for their
Litt.D.? I submitted also my earlier book on Franciscan Legends & an art.
in the Edinburgh Rev. and some translations also.
Emma studied at Trinity College, Cambridge. Women had been
allowed to take courses at Cambridge University, and even to sit exams, since
1881, but were not awarded degrees. Oxford finally recognised female graduates
in 1920; Cambridge was then shamed into granting diplomas to women from 1921,
but did not give women degrees until 1948.
At Trinity
College, Dublin, however women had been eligible for degrees since 1904. From
then until 1907, brilliant scholars like my Great Aunt Emma at both Oxford and
Cambridge were able to sail to Dublin (then still part of the United Kingdom),
where Trinity College was happy to recognise their studies in England and to confer on them the degrees which the English
universities refused. These women became known as "steamboat ladies." Steamboating
great aunt Emma’s Trin. Coll. Litt.D. was built on her Trin. Coll. MA.
I found my third
copy of Nature in Italian Art in
Cumbria around 2005 on the shelves of a relative stranger, the friend of a
friend, who had bought it and a few hundred others from a second-hand bookshop
purely for their decorative spines. My delight at finding Emma’s book was
compounded when I took it down and read the flyleaf dedication, “to F. Reyner,
from the mother of the authoress.” What a find – Frederick Reyner, Lancashire cotton magnate, was my great great uncle, brother of my great grandmother Jane Salter née Reyner, Emma’s mother.
Three copies of Nature in
Italian Art by my great aunt Emma Gurney
Salter, the former properties of three generations of my ancestors: my grandfather, my uncle and my great great
uncle