John Salter, a cousin of my great
great grandfather’s, was a pioneering horticulturalist. As a prolific breeder
of new varieties he was intensely interested in, and acutely sensitive to,
variations in leaf and bud (see Part 1). Given his wide reputation, it is unsurprising that
another enthusiast for the process of variation should have joined in a
correspondence with him.
Charles Darwin (1809-1882)
Charles Darwin’s On The Origin Of Species By Means Of Natural
Selection was published in 1859 and its impact was no less earth-shaking in
botanical circles than in any other sphere of biology. He regarded Origin as
merely an abstract of his theories, and immediately began work on a new more
detailed book, The Variation Of Animals And Plants Under Domestication. During
the research for it, he noted, he “applied to two great authorities on this
subject [of bud variation], namely, to Mr. Rivers with respect to fruit-trees,
and to Mr. Salter with respect to flowers.”
Charles and John exchanged ideas
about the nature and fixity of variations in botany and the best conditions for
maintaining them. Many of John’s observations found their way into Charles’ new
book when it was published in 1868. Darwin
was interested that Salter mimicked nature in using selection (of the most
appropriate buds or stock or soils) to refine and fix new varieties. It was a
sort of pro-active, interventionist version of the survival of the fittest, an
experimental proof of Darwin’s
ideas.
The variegated plants discussed
by Salter as reported by Darwin
included:
- Euonymus japonica (golden-striped form liable to revert, silver-striped more stable)
- Pelargonium “Dandy” (dwarfed with variegation, remains dwarfed even after reverting)
- Phlox (two varieties variegated from suckers, but could not be repeated by root-joints)
- Tussilago farfara (can be propagated by root-joints)
- Berberis vulgaris (seedless variegated form propagated by cuttings, but suckers revert and produce seeded berries)
Darwin
also described in some detail the relative merits of different methods of
propagation of variegated forms, as practised by Salter. It would be
interesting to know how they compare with current techniques. (If you want to
check, Darwin’s Variation Of Animals And Plants is available
at time of writing as a free download for Kindle!)
Title page of the first volume of The Variation Of Animals And
Plants Under Domestication, published in
1868
Salter knew what he was doing:
those famous winter chrysanthemum displays were often set in a mosaic of
variegated species of Sedum, Sempervirum and Echevaria. In the summer months he
staged entire speciality displays of variegated plants at RHS shows in Crystal
Palace and elsewhere. This report
from The Journal of Horticulture, Cottage
Gardener and Country Gentlemen describes his show at Kew
in early May 1863:
In a house devoted
to hardy variegated plants, a variety of Sedum telephium or Orpine, called
picturatum, had the leaves beautifully mottled with rose; Oxalis corniculata
picturata was also very pretty, the leaves being brown mottled with bright
pink, instead of being green. Funkia japonica picta from Dr. Siebold had large
yellowish-green leaves with dark-green edges; and in Convallaria angustifolia,
another Japanese plant, the leaves were prettily edged with white. Another
ornamental-foliaged plant was a variety of the common Comfrey, endowed with a
name of formidable length — Symphytum officinale variegatum superbum, in which
the leaves had a margin of yellowish-white. Artemisia maritima, Mr. Salter
states, forms an excellent cut-leaved plant for bedding-out, the foliage
turning quite white when out of doors. We also observed a new Centaurea with
woolly leaves, which measured 17 inches long by broad, and which, we are told,
become much longer and as white as those of C. candidissima.
Does anyone recognise anything
there? A fortnight later, the same journal reports from another RHS exhibition,
held on 27th May 1863. The
correspondent notes that Mr Salter’s variegated collection was “to my mind as
interesting as anything there. … [In it] were Funkia undulata variegata; and
variegated forms of Acer negundo, Hedera helix, Ruta graveolens, Scrophularia
nodosa, Hesperis arabidtefolia, Tussilago farfara, Salix caprea, Spiraea
ulmaria, &c.”
The Versailles Nursery, Hammersmith
from Stanford’s Library Map Of London And Its Suburbs (1872)
(available from http://london1872.com/index.htm)
In the late 1860s the business
was trading as John Salter and Son – Alfred had worked alongside his father since
the founding of the original nursery at Versailles.
He exhibited separately and won honourable mentions in both France
and England.
But by 1871 both men had retired and the Versailles Nursery was closed down.
Perhaps cashing in on the value of land in Hammersmith was too tempting for
Alfred to consider continuing the family firm. Although the nursery still
appeared on maps for a few years, it and William
Street on which it stood were soon buried beneath
the newly laid Avonmore Road
estate.
John Salter (1802-1874) was a
skilled craftsman who made a valuable contribution to horticulture, not only in
the breeding of chrysanthemums but in his invaluable exchanges with Charles
Darwin. Perhaps best of all and least celebrated, he promoted variegated
species at a time when England’s
middle classes were going garden-crazy. Variegated enthusiasts today owe him a
small debt of gratitude for suggesting, as the reviewer of that late-May RHS
show pointed out, “how much may be done in adorning our gardens with this section
of ornamental-foliaged plants.”
I am indebted to the editor of The Sport, Ian Warden, for bringing the variegated aspects of my
plantsman ancestor John Salter to my attention. I’ve posted here, with his
permission, the article which he commissioned.
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